Be picky about guitar picks?
It’s kind of ironic, but it may be that the smallest and most affordable piece of gear we guitarists own—ounce for ounce, and dollar for dollar—has the biggest impact on both our tone and our technique. We use the pick (or “plectrum”) to strike the strings, and that sets our entire audio signal in motion—whether it’s through airborne acoustic sound waves or a signal path full of stompboxes feeding blaring amps. The material, thickness, texture, and shape of that pick have an outsized impact not only on the sound we create, but also on our phrasing and articulation. Indeed, a pick can strongly influence our musical decision-making: Do we play linear, single-note lines in a more legato fashion because we want to minimize the crisp attack our heavy pick imparts, or do we crank out melodic double-stops because that same pick attack pushes them over the top in such an addictive way? Do we add upstroke ghost notes to that rhythm part because our thin pick gives them an ethereal subtlet...